South African vocalist Babomncane links up with Shenge Wasehlalankosi and Cevuzile on “Usawoti Olwandle,” another entry from his and Sgwebo Sentambo’s joint project “Sekukaningi.” The title translates loosely to something about the salt of the ocean, and that imagery runs through the record.
Babomncane keeps building this album with fresh combinations of voices, and this one brings in two names that add real texture. Shenge Wasehlalankosi carries his own reputation within Maskandi circles, and Cevuzile has been steadily releasing solo work of her own. Together, all three artists bring different angles into one shared record.
The production keeps its acoustic Maskandi foundation, guitar-led and unrushed throughout. Nothing here chases outside trends or modern polish. Instead, the arrangement leans on tradition, giving space for the vocal exchanges to carry the emotional core.
Babomncane leads with his familiar grounded tone, delivering each line with the same seasoned poise that runs through this whole album. He sets the record’s reflective mood early on.
Shenge Wasehlalankosi and Cevuzile then step in, adding contrasting textures that keep the collaboration feeling layered rather than crowded. Cevuzile’s presence in particular brings a different vocal color into the mix. Together, all three trade lines that build into something communal rather than one artist simply carrying guests.
As part of “Sekukaningi,” “Usawoti Olwandle” works because it commits fully to shared storytelling. Nothing here feels like filler tucked between bigger singles. It plays like three distinct voices finding real common ground in Maskandi tradition.
DISCUSSION